It is communism that elicits culture in capitalism. Britain’s Channel 4 and The Independent newspaper report the story “Modern Art Was CIA Weapon” of how the CIA in the mid-20th century promoted and used modern art–Abstract Expressionism–to flog the idea that capitalism can foster artistic freedom, where communism cannot. However, the extent to which the market fosters artistic freedom was greatly exaggerated–by the elite cadre of American secret police that temporarily, for propaganda purposes, fostered that freedom. And that little mid-century “long leash” blip of freedom depended on capitalists who believed that they had to compete with communism for world opinion.
Without communism, do we have freedom in capitalism? For the working class, the post-communist evidence points to “not much” or “no.”
Interesting in the report are 2 subplots:
1) The mid-20th century division of labor/personnel between the CIA and other ruling institutions in the US, and
2) An early chapter in the long tradition of media manipulation:
“The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.”